Jonathan Lynn

Jonathan Lynn has directed 10 feature films including the cult classic Clue (he also wrote the screenplay), Nuns on the Run (also written by Mr Lynn), My Cousin Vinny, The Distinguished Gentleman, Sgt. Bilko, Greedy, Trial And Error, The Whole Nine Yards, The Fighting Temptations and most recently, Wild Target. His first produced screenplay was The Internecine Project (1974). For television, Jonathan’s writing credits include dozens of episodes of various comedy series, but he is best known for the phenomenally successful, multi-award winning BBC series Yes Minister and Yes, Prime Minister, co-written and created with Antony Jay. Jonathan authored the bestselling books The Complete Yes, Minister and The Complete Yes, Prime Minister, which cumulatively sold more than a million copies in hardback and have been translated into numerous languages and are still in print nearly 30 years later. His novel Mayday (1991) is being re-published by Endeavour Press and his latest books Comedy Rules (Faber and Faber) and Samaritans (Endeavour) both received rave reviews. About Samaritans, the Sunday Times said: “This is a book George Orwell would have approved of.” Jonathan made his first professional appearance on Broadway in the revue Cambridge Circus, and his television debut on The Ed Sullivan Show, live with 70 million viewers, both at the age of 21. Jonathan’s West End theatre debut, aged 23, was as an actor in the role of Motel the Tailor in the original London cast of Fiddler on the Roof. His subsequent London directing credits include: The Glass Menagerie; Songbook (Best Musical, Olivier Award and Evening Standard Award); Anna Christie (RSC, Stratford and the Donmar); Joe Orton’s Loot; Pass The Butler by Eric Idle, Shaw’s Arms And The Man and The Gingerbread Man (Old Vic). At the National Theatre, he directed A Little Hotel on the Side by Georges Feydeau and Three Men on A Horse (Olivier Award, Best Comedy). As artistic director of the Cambridge Theatre Company, he directed 20 productions, producing 20 others, nine of which transferred to the West End. His numerous awards include the BAFTA Writers Award, Writers Guild (twice), Broadcasting Press Guild (twice), NAACP Image Award, Environmental Media Award, Ace Award–Best Comedy Series on US cable, and a special award from the Campaign For Freedom of Information. Lynn received an M.A. in Law from Cambridge University and now lives in New York, describing himself as a recovering lawyer.

Sandy Rustin

Sandy Rustin is an actress and award-winning playwright. Her comedy, The Cottage, (“Laugh Out Loud!” – The NY Times) was recently presented by Manhattan Theatre Club with Jason Alexander (Seinfeld) directing and a starry 2023 Broadway run with Eric McCormick (Will & Grace), Laura Bell Bundy (Legally Blonde, Bway), and Lilly Cooper (Spring Awakening). Her sketch comedy musical, Rated P … For Parenthood, (“Wistfully Funny!” – The New York Times) opened Off-Broadway at the Westside Theatre and was optioned for TV development with ABC Studios, Kelly Ripa and Mark Consuelos. Sandy’s play, Struck (“A Charming Comedy!” – The NY Times) enjoyed two recent, critically acclaimed productions at NJ REP and Theatre Raleigh. Her play, Houston, is the recipient of the New American Musical Award and, after a recent workshop in NYC, is currently in development for production. Sandy’s newest comedy, Elijah, was recently presented as part of Midtown Direct Rep’s 2017 “Theatre in the Parlor” Reading Series and is in development. She created, developed, wrote, and starred in her own show for Nickelodeon (Nick Mom) called Overbooked. And her web series, It’s Complicated, was acquired by Stage17.tv. Sandy has two screenplays and two television pilots in development. As an actress, Sandy guest starred on Comedy Central’s, Inside Amy Schumer and regularly appears at New York’s The Upright Citizen’s Brigade in “Gravid Water” (named “Best Improv Show” by Time Out NY). She has worked with Loopers Unlimited for over 15 years as a voiceover actress, appearing in hundreds of TV shows and films. She is the founding co-artistic director of Midtown Direct Rep and an advocate for Cowden Foundation. Northwestern University graduate. Sandy is a member of ASCAP, SAG, AEA, and the Dramatists Guild and is represented by Abrams Artists.

Hunter Foster

Hunter Foster is an artistic associate at the Bucks County Playhouse where he has directed: Clue: On Stage (World Premiere), Guys and Dolls, Company, Ain’t Misbehavin’, The Buddy Holly Story (2016 and 2017), National Pastime, The Rocky Horror Show (2013, 2014, 2016 and 2017), Summer of ’42, and It’s a Wonderful Life. Other directing credits include The Foreigner, Cabaret, My Fair Lady (Cape Playhouse), Grease (North Carolina Theatre), Spamalot (Casa Manana); and has directed productions of the Million Dollar Quartet for the Paper Mill Playhouse, Geva Theatre, Ogunquit Playhouse, Gateway Playhouse and the Westchester Broadway Theatre. He has also directed the NYC workshops of the upcoming new musicals, Far From the Madding Crowd and One Hit Wonder, which had its world premiere at the University of Michigan in the fall of 2017. As a writer, he co-wrote the stage adaptation of the movie, Clue, and has written the books to two off-broadway musicals: Jasper in Deadland — which had its world premiere at the Prospect Theater Company in NYC, followed by a successful run at the Fifth Avenue Theatre in Seattle — and Summer of ’42 which opened at the Variety Arts Theatre in New York City, and was nominated for an Outer Critic Award for best new Off-Broadway musical. Other recent book writing credits include The Circus in Winter (Goodspeed Musicals), Clyde and Bonnie: A Folktale (New York Musical Theatre Festival, Aurora Theatre), The Hollow (Signature Theatre), and Blue Ridge Sky. As an actor, he has appeared on Broadway in The Bridges of Madison County, Hands on a Hardbody, Million Dollar Quartet, The Producers, Little Shop of Horrors (Tony nomination), Urinetown, Les Miserables, Footloose, Grease, and King David. Hunter is a graduate of the University of Michigan (B.F.A. in musical theatre).

Eric Price 

Eric Price has written the lyrics and book to the musicals The Violet Hour, Radioactive, Presto Change-o, Around the World, Hello Out There, The Sixth Borough, and additional material for the stage adaptation of the film Clue. His work has been produced at theatres in New York, around the country, and in Europe. Production experience includes work at such institutions as Manhattan Theatre Club, Roundabout Theatre, Goodman Theatre, The Kennedy Center, Menier Chocolate Factory, Barrington Stage, Symphony Space, Merkin Recital Hall, Minetta Lane Theatre, Audible.com, Joe’s Pub, 54 Below (including solo show), Birdland, the Ravinia Festival, and more. Eric’s adaptation of Jane Austen’s Emma was commissioned in 2015 and has had over 150 productions around the world. In addition to his career as a writer, Eric was the longtime assistant to 21-time Tony Award-winning director/producer Hal Prince and worked with him over the course of twelve years on the development of new musicals that premiered in New York, Chicago, Washington DC, London, and Tokyo. He is a member of the Lincoln Center Directors Lab and has degrees in directing from Indiana University and musical theatre writing from NYU’s Tisch School of the Arts. He has been a Dramatists Guild Fellow, a Eugene O’Neill Theatre Center finalist, and a member of Goodspeed’s Johnny Mercer Writers Colony and the Rhinebeck Writers’ Retreat. He is an adjunct professor of musical theatre at Pace University and Molloy College/CAP21. With his collaborator, Will Reynolds, Eric won the 2018 Fred Ebb Award for Musical Theatre Writing.

Jessie Booth (she/her)

SECOND SEASON

Jessie is thrilled to be back! Performer: Lady of the Lake (Spamalot), Narrator (Joseph), Lucy (Jekyll & Hyde), Fiona (Shrek), and singer on AIDA Cruise Lines. TV/Film: 49: A Tribute, Primal Instinct, Inside the Black Box. Director: Love Letters, Fiddler on the Roof, Shrek, Footloose, Seussical @itsjessiebooth www.jessiebooth.com 

Camden Dalie Keech (he/him)

SECOND SEASON

Camden is happy to return to the mountains for a second season. Camden hails from Central Arkansas, where he studied design, directing, and acting. Camden really hopes you enjoy the show! 

Billy Smith (he/him)

FOURTH SEASON

While this is his fourth season at Weathervane, this is his first season living a full year in beautiful New Hampshire! Originally from Columbus, Ohio, he holds a BFA in Musical Theatre. He is constantly thankful that both the company and the community have taken him in so graciously. Billy is also the scenic charge and production coordinator for this production.

Claire Morgan (she/her)

SECOND SEASON

Claire is a local artist studying costume design and painting at Savannah College of Art and Design. She has twelve years of sewing experience and was the costume designer for VCT’s Big Fish: The Musical in 2022.

Scout Hough (she/her)

SIXTH SEASON

Scout earned a BFA in Lighting Design & Production from UNCSA, and is now pursuing an MAIS at UMaine. She’s thrilled to return to the North Country for her 6th season at the Weathervane. She serves as Manager for the Orono Performing Arts Center, and her other credits include work throughout Maine.

Billy Smith (he/him)

FOURTH SEASON

While this is his fourth season at Weathervane, this is his first season living a full year in beautiful New Hampshire! Originally from Columbus, Ohio, he holds a BFA in Musical Theatre. He is constantly thankful that both the company and the community have taken him in so graciously. Billy is also the scenic charge and production coordinator for this production.

Claire Vogt (she/they)

FIRST SEASON

Claire is a scenic artist based in central Ohio. Having graduated last year with a BFA in Theatre Design and Technology, they enjoy collaborating with others to create amazing art and shows. They have recently been working as a freelance designer and are excited to work at Weathervane this summer! 

PYPER K WILLIAMS (she/her)

THIRD SEASON

Pyper Williams is spending her third season here at Weathervane painting away in the shop, bringing to life the sets you see on stage this summer. She studied Acting at The American Academy of Dramatic Arts but now prefers to take a more behind-the-scenes approach with painting sets.

Kenzie Kilroy (she/her)

FIRST SEASON

Kenzie is a theatre professional based in NYC, working as a Stage Manager, Designer, & Assistant Casting Director at serval venues, including The Laurie Beechman, Theatre for a New Audience, The Triad Theater, & National Sawdust (2021- 2024). Other venues include Curious Theatre Company and Miners Alley Playhouse in Denver, CO.

Emma Aldrich Jordan (she/her)

SECOND SEASON

Emma is excited to return to Weathervane as the Patchwork Stage manager! Favorite shows include WAITRESS (Scenic Artist, Ogunquit Playhouse), RAINBOW FISH (PSM, Weathervane), DROWSY CHAPERONE (Artist in Residence, Cayuga BOCES). Emma’s freelance artwork can be seen at restaurants around the North Country. Thanks to Nick, Lindsey, and Rockdog.

Dramatists Play Service

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The Broadway Licensing Global collection of titles represents an astonishing 40 Tony Award® and 49 Pulitzer Prize-winning works. The company leverages its team’s expertise in licensing, theatrical production, theatre education, and content creation to diversify, strengthen, and rapidly expand its portfolio into new sectors and markets. Founded in 2017, Broadway Licensing has quickly scaled and, as of 2022, the company represents 8 of the Top 10 most produced plays in professional theatres and 9 of the Top 10 most produced plays in High Schools.

In 2020, Broadway Licensing Global launched the Emmy Award® nominated streaming platform Broadway On Demand, offering exclusive theatrical content, interactive events, and original programming. Additionally, Stageworks Productions, the original live stage content creation arm dedicated to the development of innovative, theatrical intellectual properties has developed several world premiere musicals which have been produced in over 90 countries. In all, the combined force of the Broadway Licensing family of imprints continues to grow, with a singular goal to make everyone in the world a theatre person.