David Grindrod (he/him)

FIFTH SEASON

is excited to be back at Weathervane after co-directing and choreographing THE PRODUCERS, EVERYBODY’S TALKING ABOUT JAMIE (NH Theatre Alliance Award for Outstanding Choreography), directing and choreographing GUYS AND DOLLS (NH Theatre Alliance Award for Outstanding Choreography) and A CHORUS LINE. David is the associate to Tony Award recipient Baayork Lee, working alongside her on multiple national and international productions of A CHORUS LINE as well as CATS, BEAUTY AND THE BEAST, WEST SIDE STORY and SOUTH PACIFIC. David choreographed THE LIGHT IN THE PIAZZA directed by Tony Award winner Victoria Clark. Other directing/choreographing credits include Quisisana Resort, White Plains Performing Arts, and Music Theatre Kansas City. @david.grin

Andrew Morrissey (he/him)

SEVENTH SEASON

Andrew Morrissey is a NYC-based pianist, award-winning music director, vocal coach, and composer. Experience includes educational, community, and semi-professional theatre in NH, NYC, and the DMV area. A NH native, regional credits include Interlakes, Jean’s Playhouse, Winnipesaukee Playhouse and Plymouth State University, where he received a BA in Music. He has an MM in stage music composition from CUA, and his thesis project grew into a fully-fledged staging of Lost In Wonderland with DC’s Pallas Theatre Collective. Current projects include a new musical based on Oscar Wilde’s Dorian Gray and another on the life of Rasputin. IG: Andrewmorrisseymusic

Cole Porter

Cole Porter was born in Peru, Indiana in 1891 and died in Hollywood 73 years later. In between, he wrote some of the most memorable songs ever heard on stage or screen, among them “Night and Day,” “Begin the Beguine,” “You’re The Top,” “I Get a Kick Out of You,” “Love For Sale,” and “Just One of Those Things.” During the 1930s, his most productive decade, he provided a series of sparkling scores for such hits as Gay Divorce, Anything Goes, Jubilee, Born to Dance and Red, Hot and Blue. Despite a crippling riding accident in 1937 which left him in constant pain, he achieved his greatest commercial success in 1948, with Kiss Me, Kate. His name remains synonymous with wit and sophistication to this day.

P.G. Wodehouse & Guy Bolton

P.G. Wodehouse (1881-1975) and Guy Bolton (1884-1979) were both born in England. They were introduced by Jerome Kern, and he suggested they all work together. They did, tirelessly, and in the beginning of their collaboration wrote nearly one show per month: the famed Princess Theatre musicals. Bolton and Wodehouse went on to write more than 20 musicals together. Usually, they collaborated on the book, and Wodehouse wrote the lyrics. Both lived into their nineties, and both, together and individually, were astoundingly prolific. Bolton, with one collaborator or another, or on his own, had a hand in well over 100 musicals and straight plays as well as numerous film scripts and novels. Wodehouse wrote 97 books, most notably, the Jeeves novels and countless short stories, articles, essays and films. In 1975, he was knighted side by side with Charlie Chaplin. In addition to Anything Goes, their work together includes Have A Heart; Oh, Boy!; Leave It To Jane; Oh, Lady! Lady!; Sitting Pretty, Oh, Kay! and Rosalie. They remained friends and neighbors (in Remsenburg, New York) throughout their final days.

Guy Bolton (1884-1979) was born in Broxbourne, Hertfordshire, England, on November 23, 1884. Bolton famously collaborated with Jerome Kern and P.G. Wodehouse on a series of buoyant musicals for the 299-seat Princess Theatre, including Have A Heart; Oh, Boy!; Leave It To Jane; Oh, Lady! Lady!; Sitting Pretty, Oh, Kay! and Rosalie. In the twenties, Bolton forged a partnership with George and Ira Gershwin. All six of their collaborations, including Girl Crazy, resulted in hit shows. Bolton wrote or collaborated on more than 50 shows between 1915 and 1965, including Anything Goes. He died in London on September 5, 1979.

Howard Lindsay & Russel Crouse

Howard Lindsay (1889-1968) was an actor, stage manager, director and playwright before teaming up with Russel Crouse. Lindsay and Crouse’s partnership stands today as the longest collaboration of any writers in theatrical history, lasting for more than 28 years. The two men first joined forces in 1934, when the producer Vinton Freedley brought them together to rewrite the libretto for Anything Goes, which Lindsay directed. Two years later, they wrote another Cole Porter show, Red, Hot and Blue. Their first straight play, Life with Father, opened in 1936 and holds the record fir the longest running play on Broadway, at 3,224 performances. Lindsay and his wife, Dorothy Stickney, created the roles of Clarence and Vinnie Day, performing them for five years. Among other shows, Lindsay and Crouse also wrote The Sound of Music (score by Rodgers and Hammerstein); the Pulitzer Prize winning State of the Union; Call me Madam and Mr. President (scores by Irving Berlin); The Prescott Proposals and The Great Sebastians. They produced The Hasty Heart, Detective Story and Arsenic and Old Lace.

Russel Crouse (1893-1966) was a newspaperman, a press agent for the Theatre Guild, the author of several books and a librettist before partnering with Howard Lindsay. Lindsay and Crouse’s partnership stands today as the longest collaboration of any writers in theatrical history, lasting for more than 28 years. The two men first joined forces in 1934, when the producer Vinton Freedley brought them together to rewrite the libretto for Anything Goes, which Lindsay directed. Two years later, they wrote another Cole Porter show, Red, Hot and Blue. Their first straight play, Life with Father, opened in 1936 and holds the record fir the longest running play on Broadway, at 3,224 performances. Among other shows, Lindsay and Crouse also wrote The Sound of Music (score by Rodgers and Hammerstein); the Pulitzer Prize winning State of the Union; Call Me Madam and Mr. President (scores by Irving Berlin); The Prescott Proposals and The Great Sebastians. They produced The Hasty Heart, Detective Storyand Arsenic and Old Lace. In addition to his work with Linday, Russel Crouse later reproduced, in collaboration with his wife, Anna Erskine Crouse, a son, the writer Timothy Crouse, and a daughter, the actress Lindsay Crouse.

Concord Theatricals

Concord Theatricals is the world’s most significant theatrical company, comprising the catalogs of R&H Theatricals, Samuel French, Tams-Witmark and The Andrew Lloyd Webber Collection, plus dozens of new signings each year. Our unparalleled roster includes the work of Irving Berlin, Agatha Christie, George & Ira Gershwin, Marvin Hamlisch, Lorraine Hansberry, Kander & Ebb, Kitt & Yorkey, Ken Ludwig, Marlow & Moss, Lin-Manuel Miranda, Anaïs Mitchell, Dominique Morisseau, Cole Porter, Rodgers & Hammerstein, Thornton Wilder and August Wilson.

With offices in New York, London, and Berlin, Concord Theatricals is the only firm providing truly comprehensive services to the creators and producers of plays and musicals, including theatrical licensing, music publishing, script publishing, cast recording, and first-class production.